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Chavez Ravine | 
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| Artist: Ry Cooder
Label: Nonesuch
Category: Music
List Price: £15.99
Buy New: £7.98
You Save: £8.01 (50%)
New (28) Used (9) Collectible (1) from £6.40
Avg. Customer Rating:  20 reviews
Sales Rank: 7404
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 79877
UPC: 075597987720
EAN: 0075597987720
ASIN: B0009353IW
Release Date: June 13, 2005
Availability: Usually dispatched within 24 hours
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| Tracks:
| • | Poor Man's Shangri La | | • | Onda Callejera | | • | Don't Call Me Red | | • | Corrido De Boxeo | | • | Muy Fifi | | • | Los Chucos Suaves | | • | Chinito Chinito | | • | 3 Cool Cats | | • | El UFO Cayo | | • | It's Just Work For Me | | • | In My Town | | • | Ejercito Militar | | • | Barrio Viejo | | • | 3rd Base Dodger Stadium | | • | Soy Luz Y Sombra |
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| Editorial Reviews:
Amazon.co.uk Review
A rare solo outing from Ry Cooder, but don't expect the conventional `twelve unrelated songs' schtick that constitutes an album these days. For "Chavez Ravine" is a concept album about the eponymous area near Los Angeles that was torn down in the 1950's by developers to make way for the Dodgers Stadium. The attraction of this neighbourhood for Cooder is obviously its largely Hispanic population, which is explicitly echoed in the music that tells the story. Linking his past solo work with his famed Buena Vista Social Club projects, Cooder delivers his story amidst lazy Cuban percussion, rolling piano, mariachi horns and of course, his understated guitar playing. Of course there are still surprises; the schizophrenia of "Don't Call Me Red"; half ballad, half frenetic percussion and television narration being the biggest and best. With a large cast of vocal talents, including the legendary Little Willie G of The Midniters, and Cooder's own contributions (which end up sounding not unlike Steely Dan fronted by John Sebastian), the album as a whole is extremely effective and succeeds in every department, evoking the kind of atmosphere aimed for. --Thom Allott
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| Customer Reviews: Read 15 more reviews...
 It ain't what ya think..... October 10, 2007
0 out of 1 found this review helpful
....it's going to be. That is ....it isn't Buena Vista Social Club, it isn't Ibrahim Ferrer, it isn't Ali Farka Toure, it isn't Flaco Jimenez. But then again it's all of these and more. In particular it's more of Ry and in a bigger sense its more altogether. A commanding view with all Ry Cooder's talents of bringing together disparate elements into a musical whole. Every play pays off and the record gets better and better with each hearing. In some ways it reminds me of early spring backs to folk melodies on "Into the Purple Valley" but with everything that he has done since coming together over a long and fruitful career and adding to the disc. Quite possibly the best thing that he has out together for a long time and worth persisting with
A colourful addition to a varied career June 9, 2007
6 out of 8 found this review helpful
In 2005, Cooder released Chavez Ravine, his first solo album since 1987's Get Rhythm.
Although Ryland Cooder has made a career of bringing bygone days back to life on a global scale, Chavez Ravine is a high-water mark for him.
Part history, part fantasy, the CD tells the story of Los Angeles' Chavez Ravine--an old Mexican barrio (slum) torn down by the city, allegedly to make room for a low-income housing project but in fact to build Dodger Stadium on.
The record is sung in Spanish and English and Cooder has sought out musicians from the era and the place. It is the last recording (and a great one at that) for both "the father of Chicano music," Lalo Guerrero, and Pachuco legend Don Tosti.
On this concept album, one is musically transported to the days of the Pachucos (Zoot-Suiters) and hears the voices of residents, bulldozer drivers, city thugs who tried to paint caring people as commies, and folks nostalgically looking back at the place they called home.
Ry Cooder never ceases to amaze by the quality of his work and vision.
A good one March 5, 2007
5 out of 6 found this review helpful
Mention 'concept album' and rock'n roll and you'd be forgiven for running a mile. Being a Cooder fan, there was no way I'd not buy it, especially as I like the cojunto texmex sound (Flaco Jimenez etc), but I admit I was apprehensive. And you know what, right from the first track (Poor man's Shangri-La)Ry and co , put me right at ease. As concepts go, this sought to illuminate a place and an era and the music that emanated from it, before a whole community was cleared away by greedy property developers (a breed that has growm in rapacity since then). Ry reminds you of a simple fact that too often is forgotten sometimes- in musical terms, a place can often create the genre. All great music was local once. Amazingly Ry was able to colloborate with many of the musicians that were once on the scene, 50 years ago, when Chavez Ravine was cleared away to make way for a stadium! And by the way, its all great fun to listen to, and immensely enjoyable and variable too! So get over your 'concept album' prejudice right now. I did, and I want to testify!
 Historical documnt August 16, 2006
1 out of 3 found this review helpful
I loved the opening track and as I have listened to the album more it grows on me. There are a few echoes of Bueno Vista Social Club where elderly singers croak through their songs. Take the time to read the translations of the Spanish songs and it will become more meaningful, likewise the sleeve notes.
It is haunting and would make a great soundtrack to a short film about the building of Chavez avine some day?
 You can't dance to it. July 23, 2006
3 out of 14 found this review helpful
I am disappointed at having bought this cd, and finding an album that is unlike any other of Ry's works. For me, it is hard going and quirky. I can understand the artist's motives for making it, and I have got most of his previous stuff, but this cd will gather dust in my collection.
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