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Black Metal (Remastered / Expanded) | 
 enlarge | Artist: Venom
Label: Sanctuary
Category: Music
List Price: £8.99
Buy New: £4.67
You Save: £4.32 (48%)
New (13) Used (2) from £4.67
Avg. Customer Rating:  6 reviews
Sales Rank: 43196
Format: Original Recording Remastered, Extra Tracks
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5 x 0.5
UPC: 766488558623
EAN: 0766488558623
ASIN: B00005V332
Release Date: February 26, 2008
Availability: Usually dispatched within 1-2 business days
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| Tracks:
| • | Black Metal | | • | To Hell And Back | | • | Buried Alive | | • | Raise The Dead | | • | Teacher's Pet | | • | Leave Me In Hell | | • | Sacrifice | | • | Heaven's On Fire | | • | Countess Bathory | | • | Don't Burn The Witch | | • | At War With Satan | | • | Bursting Out | | • | Black Metal | | • | Nightmare | | • | Too Loud For The Crowd | | • | Bloodlust | | • | Die Hard | | • | Acid Queen | | • | Bursting Out | | • | Hounds Of Hell |
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| Customer Reviews: Read 1 more reviews...
BLACK METAL.......... July 31, 2007
0 out of 2 found this review helpful
Venoms finest moment is here on this fine re-issue of a true classic black metal album. the singer is not good, the guitar is rubbish and the bass is awful but its venom, true metal. easily the best black metal album ever, no competition............CLASS
Black Metal was invented in Newcastle not Norway. July 1, 2007
1 out of 2 found this review helpful
Venom invented black metal, lets get that straight. You coin the term and therefore you decide how it sounds, ok? It doesn't have to sound like Mayhem or whatever to be black metal, because simply put if you invent something then you decide how it sounds. Now all you Marduk fans can sod off, Satanic Judas Priest? Well first of all that sounds absolutely killer... but as simply as I can put it, Venom is black metal and `Black Metal' is one of the all time greatest heavy metal albums.
Fuelled by Newcastle Brown and Stottie cakes Venom proceeded to absolutely kick the metal worlds bottom in 1982 with what frankly can be considered a more refined a approach in contrast to the `washing machine full of bricks' subtly of `Welcome to Hell'. `Black Metal' was probably the heaviest, fastest and most over the top metal about in the early 80's, and not only is it a triumph in extremity but also in terms of song writing, atmosphere and general all round "hail satanic majesty" goodness.
Lets get this out of way, do not expect musical prowess here, there is no shredding. Mantas is not a great technician and some of his solos are sketchy. Abaddon is not a great drummer, do not expect 44/872 time, this isn't Dream Theater. Cronos, however actually is a great vocalist and not many people had this kind of snarling vocal in 1982, so again Venom were ground breaking and as a bassist he does all that's required with a nasty buzzing tone like a less refined Lemmy (not that Lem's tone is refined).
There isn't much doubt in the quality of `Black Metal', all the songs here are metal classics expect `Teachers Pet' which is just a bit of smutty fun, but if your looking for all out satanic malevolent metal you can always skip this one (and probably the whole album as I may have to explain to you if your from Scandinavia, Mainland Europe...or assorted other humourless nations this is all very tongue in cheek you see). `Black Metal' is a lovely piece of speed metal, not too dissimilar from Judas Priest's `Rapid Fire' in places but a whole lot more evil and for further metal brownie points it starts with a chainsaw going through a door. `To Hell and Back' is simplistic, with some lovely filthy pitched harmonic riffs which are quite sludgy due to the fact that this album was in C# tuning and the production is very muddy, it's not the best song here but still fun and oh so metal. `Buried Alive' is a grand achievement in atmosphere and features the rather homemade effect of dirt being heaped upon a microphone to give a certain authenticity. This is seminal Venom, one of the bands best known and best loved songs eschewing speed metal for a slower more menacing pace, it's practically a Venom ballad. `Raise the Dead' is another speedy number with fairly standard NWOBHM riffs, but it's the lyrics which make this one;
`I hear the star of the Necromancer
my blood is black and my heart doth bleed' yes this isn't a Job For a Cowboy album! `Leave me in Hell' is a Venom classic, with yet more great lyrics...Torment? Bestial Sex? If you must Cronos. `Sacrifice' displays a distinct Motrhead influence, not that it's not prevalent in the rest of the album its just this one reminds me of `Over the Top'. `Countess Bathory' would prove highly influential as it's the first metal song (well at least that I've heard of) to deal with the blood countess and a song from which Bathory would take their namesake. It's a corker of a song with some excellent riffs; Mantas is a bit bad at times but he has some awesome riffs. Next up; `Don't Burn the Witch' corker! Best Venom song ever. That almighty heretical riff and Cronos' occult imagery really shines hear. I freaking love lyrics on the occult! `At War with Satan (preview)' is a strange way to end an album, but interesting nonetheless and I suppose it made sense contextually.
Also of note is that on these Venom reissues the bonus tracks are actually worth listening to, which really is a startling rarity. You get some nice radio sessions and killer Venom songs which never actually appeared on albums, singles I believe, remember them?
Looking to drink the vomit of priests? Fancy pulling a dying whore? Giving blood to the beast? Can't find your key to death's door? (have you checked in the plant pots?) Well anyway, here's a album you must own. Buy `Black Metal' and open the seven gates of heck!
This ain't no Bon Jovi album! 666/10!
 lay down your soul to the gods rock and roll!! January 21, 2007
2 out of 3 found this review helpful
BLACK METALL!!! Yes their supposedly best album, but I rate the debut higher, this is still an excellent album and worthy of the legendary 'Black Metal' genre it spawned...
The title track opens up with a chainsaw and is a fantastic piece of fast proto-thrash, from the start you can tell the production values of this album have improved (albeit only slightly), the whole album is slightly less buried in distortion and you can hear Cronos' bass a lot clearer. There are some classics on here such as the 2 part 'Buried alive/raise the dead'(the demo on the debut was slightly better though), but its the fact that Venom have slightly slowed down and produced more menacing songs in the vein of 'In Legue With Satan' that I like about this release.
The last 3 songs rank among my all-time favourate outputs from Venom, Countess Bathory is a dark and slighty gothic song about the legendary Countess who bathed in virgin's blood, the black metal band 'Bathory' even named themselves after this song! 'Don't Burn the witch' is probibly my fave song on the album and one of Mantas' best riffs, again, Slayer took great influence and this woundn't be out of place on their debut! Plus the preview of 'At War with Satan' that takes up 20 minutes of their next album demostrates a better guitar sound than the one on that album. Listening to these and say a more traditional black metal band such as Iuvenes you can tell the beginnings of something new and unique.
The bonus stuff is a somewhat welcome return to the fast (very fast) Venom thats missing from the main album, and there are some really good tunes here, but their all kinda similar and after a while sound very samey. Still, an essential release just for the last 3 tracks of the original album alone, which are all true black metal (the genre) classics.
A History lesson December 2, 2006
5 out of 7 found this review helpful
One of those albums that you simply must own to be able to join a conversation about rock music. Pure Cult.
Debate still rages about their commitment to the Dark Arts, and their musical ability, but that misses the point. Venom neither take themselves too seriously, not care what you think, so if singing about Satan is what they fancy on a given morning, that is what they will do.
The wall of feedback intro sets the tone of the album, which is a cross between chaos, genius, and uptempo british Heavy Metal. Cronos once described Abbadon's drumming as sounding like he was falling down the stairs, and Cronos himself could be playing anything on his bass for all you can tell. Mantas' guitar is the cement which holds it all together, and the riffs are instant, heavy and enduring.
Don't get too excited about the bonus tracks, although Bloodlust and Die Hard could easily have made their way on to the original album.
This obviously sounds nowhere near as extreme now as it was to ears in 1982, but that it has lasted this long should tell you how good it is.
the one October 24, 2003
3 out of 9 found this review helpful
this is the album that started it.it gave birth to a new ,dark ,imaginative and violent music.a new genre.
black metal.
because of it ,we got the horrors of mayhem,the epics of emperor and the mysteries of dark throne.plus phil anselmo.
remastered.my favourite are buried alive,with it's scary sound effects ,from inside a casket , countess bathory-you should know her already if you into metal music- and to hell and back.
but teachers pet may tell us something about their credibility,my least favourite, it's about a school boy puberty dreams of his female teacher.but hey ,it's from 1982.
the bonus tracks are from the (friday rock show) sessions,black metal,nightmare,too loud for the crowd and blood lust.plus new versions,bursting out+2,die hard , acid queen and a hounds of hell outake.
do trust phil anselmo's daste,and buy it.
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